Get Free Ebook The Role-Playing Society: Essays on the Cultural Influence of Rpgs

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The Role-Playing Society: Essays on the Cultural Influence of Rpgs

Get Free Ebook The Role-Playing Society: Essays on the Cultural Influence of Rpgs

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Review

“examines how role-playing games, and especially Dungeons & Dragons since its introduction in 1974, have changed or affected individual’s behaviors, lifestyles, educational growth and more...some of the articles, especially ones focusing on education, have significant ideas to impart and make for fascinating reading”—Bookgasm “engaging and easy to read”—Analog Game Studies “examines the impact role-playing games (RPGs) on society”—ProtoView

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About the Author

Andrew Byers is a visiting assistant professor of history at Duke University. His research interests include popular culture, biopolitics, and the history of geek culture. He lives in Durham, North Carolina. Francesco Crocco is the associate director of the online writing lab at Excelsior College. His research interests include game-based learning, gamification, and utopian studies. He lives in Lafayette, Louisiana.

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Product details

Paperback: 320 pages

Publisher: McFarland & Company (February 19, 2016)

Language: English

ISBN-10: 0786498838

ISBN-13: 978-0786498833

Product Dimensions:

6 x 0.7 x 9 inches

Shipping Weight: 1.3 pounds (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#2,498,439 in Books (See Top 100 in Books)

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Download Ebook , by Kat Lehmann Subhashini Chandramani

Download Ebook , by Kat Lehmann Subhashini Chandramani

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, by Kat Lehmann Subhashini Chandramani

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Product details

File Size: 459 KB

Print Length: 194 pages

Simultaneous Device Usage: Unlimited

Publisher: 29 Trees Press (July 8, 2017)

Publication Date: July 8, 2017

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B073TMNDGH

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Amazon Best Sellers Rank:

#44,789 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

I bought it for a friend; the book fell open at the 3rd or 4th page: (you cannot reassemble all the shards that litter your path....) started to cry with joy, found the rest of the pages were just as full of messages to me, to family and friends, to all....kept that copy and ordered 2 more and will I am sure, order many more. And I don't even read poetry!!!!!!....well, didn't.

Do NOT buy the kindle version of this book.The layout on the digital kindle version is terrible.Reads in bits and pieces. Not a whole page written in kindle. Maybe 4-6 lines per page.I haven't seen the hardcover or paperback version of this book, but it HAS to be better than the kindle version.But, for the price?I'm still disappointed with this kindle book.Buy at your own discretion.

I am really enjoying this book of poetry. The meditations really let you slow down an ponder on the thought. This is kind of silly but the only suggestion I have is that the book should be half the height. There are so few words on a page, which is by design and important for the way you read the meditations as it helps you to pause on each. But I hate waste and I feel like It's wasting resources...

These are thoughtful poems, lovely meditations, lyrically and softly recorded, observations and subtle advice for the sensitive soul. The writer seems to sense that the sparseness of her poetic offerings leave room for the reader to blossom within.

Carl Sandburg said "Poetry is a packsack of invisible keepsakes." Kat Lehmann filled my packsack with "small stones" to take along on my journey through life. She gently and artfully handed them to me one by one, page by page. Small reminders of joys,struggles and victories. A very welcome companion to my daily meditations. A favorite gift to those I love who are with me on the journey.

A wonderful kind of stream-of-consciousness work that is rich in the smallest details like the poetry of Mary Oliver, while being, at the same time, a work of subtle spiritual reflection with imagery we all have contemplated at one time or another in our lives. If you like poetry, you'll love this. I highly recommend it.

I trusted the reviews for this specific book and it was a total let down. Most of the “poetry” in this is book is 4 lines max with basic descriptions. I’m sorry if this is harsh but I’m EXTREMELY disappointed in the quality of this book especially as a writer myself. I can’t believe I wasted actual money on this.

This book refreshed my soul, and dare I say brought healing? It's definitely a book of poetry like I've never experienced before. Full of wisdom and insightful meanings that dance in words. Do your soul a favor. Get this book and savor it.

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Ebook Free The Study of Orchestration (Fourth Edition)

Ebook Free The Study of Orchestration (Fourth Edition)

Yet below, we will certainly reveal you astonishing thing to be able consistently review guide The Study Of Orchestration (Fourth Edition) wherever and whenever you happen and time. Guide The Study Of Orchestration (Fourth Edition) by simply could aid you to understand having the publication to check out every single time. It will not obligate you to constantly bring the thick publication any place you go. You could just maintain them on the gizmo or on soft data in your computer system to constantly check out the enclosure during that time.

The Study of Orchestration (Fourth Edition)

Ebook Free The Study of Orchestration (Fourth Edition)

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About the Author

Samuel Adler is Professor Emeritus at the Eastman School of Music and the Juilliard School of Music. He has been a visiting professor at many schools throughout the country and abroad, giving master classes in composition, orchestration, and conducting. Adler’s compositions have been performed worldwide by orchestras including the New York Philharmonic, the Berlin Philharmonic, and the Chicago Symphony. His works have been recorded on numerous labels, including Naxos, Albany, RCA, Crystal, New World, and PARMA.

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Product details

Paperback: 1024 pages

Publisher: W. W. Norton & Company; Fourth edition (June 1, 2016)

Language: English

ISBN-10: 0393600521

ISBN-13: 978-0393600520

Product Dimensions:

8 x 1.4 x 10 inches

Shipping Weight: 3.8 pounds (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

105 customer reviews

Amazon Best Sellers Rank:

#281,375 in Books (See Top 100 in Books)

A very complete and well written introduction to the craft of orchestration. Some sections are greatly expanded from the third edition, and some are barely touched at all.The publisher takes the book into the digital era by replacing the accompanying CD with a website where you can listen to the examples. HOWEVER, hidden in the small print of the user agreement it says that you only get access to the media files for one year (!!). If you want to have access to the files after that time, you have to pay another 40 dollars per year that you want to access them. They never advertise this at the time of sale, which I think is very misleading.It is clear that the publisher does not offer this upgrade for the user's convenience, but rather to squeeze money out of the pockets of their primarily student audience. Until they address this issue, you're probably better off buying the third edition, which comes with a regular CD that never expires.EDIT (4 Oct 2017): A year after this review I can confirm that my access has expired. I now have the option to add another 180 days (NOT an entire year as reported earlier) for $40. The website also says that my access expired 3 months after buying the book, as opposed to the one year I read in the user agreement. Please draw your own conclusions.

One reason I was willing to pay for this extremely expensive book was that the ad promised that "The Fourth Edition invites students to experience the instruments through online audio and video recordings and now offers more coverage of writing for band." note: NO INDICATION THAT YOU WOULD HAVE TO PAY FOR ACCESS!When the book came, it had a card in it with the web site URL, a password, and instructions for setting up your access -- with NO INDICATION THAT YOU WOULD HAVE TO PAY FOR ACCESS!I went through the process in question, with NO INDICATION THAT YOU WOULD HAVE TO PAY FOR ACCESS!Then after a year, I found my access blocked, and a message that if I wanted to keep access you better give us some money, bub.They can of course charge for their web site access if they want to. But to advertise that the extremely high price of this book includes web access with NO INDICATION THAT YOU WOULD HAVE TO PAY FOR ACCESS! and then to include instructions for access in the book with NO INDICATION THAT YOU WOULD HAVE TO PAY FOR ACCESS! and then to have you go through the registration process with NO INDICATION THAT YOU WOULD HAVE TO PAY FOR ACCESS! and then to spring it on you later that to keep access you have to give them still more money than the unconscionably high price they have already charged -- in other words, TO SELL YOU A TRIAL SUBSCRIPTION WHILE ALLOWING YOU TO ASSUME IT IS A PERMANENT SUBSCRIPTION --is very clearly unethical. This company ought to be ashamed of itself.

I'm just looking at the book for the first time, but as a string player myself, I can already tell that the book hasn't been proofread very carefully. (especially for a 4th edition!) I've already encountered a number of errors and inaccuracies (a lot of them having to do with fingerings on string instruments), and it makes me wonder if there will be more errors relating to other instruments that I'm less familiar with that will therefore be more difficult for me to catch...Overall though, it seems like a useful resource to have. And I agree with the other reviews that making you pay more to extend the access to the examples online is totally bogus. I guess it's geared towards people using the book for one semester and then just forgetting about it, but for those of us who'd like to keep referring to the examples in the book, it's really annoying.

Good textbook just no audio to go along with the tracks. Most textbooks nowadays have a code through which you can access listening libraries online with the purchase of a textbook. This one there isnt audio with it. Other than that, very compact and good. Perfect size. It's not one of those big, heavy textbooks that you need to carry around.

Excellent book, clear examples, great learning tool. Every course should use it.Downside: Have to buy music separately. Should required to include music disks with the actual god damn book.

Great working book, ideal for the amateur musician who's making film music, like me.

Awesome book, but kind of expensive and no student discounts :(

This is a great reference for those who want to compose and arrange. The book came in great condition and I highly recommend not only the book, but also the seller.

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PDF Download Polymer Clay Creative Traditions: Techniques and Projects Inspired by the Fine and Decorative Arts, by Judy Belcher

PDF Download Polymer Clay Creative Traditions: Techniques and Projects Inspired by the Fine and Decorative Arts, by Judy Belcher

Reviewing as recognize will certainly always give you new thing. It will separate you with others. You need to be better after reading this book. If you feel that it's excellent publication, tell to others. Polymer Clay Creative Traditions: Techniques And Projects Inspired By The Fine And Decorative Arts, By Judy Belcher as one of the most wanted publications comes to be the following factor of why it is selected. Even this publication is straightforward one; you could take it as recommendation.

Polymer Clay Creative Traditions: Techniques and Projects Inspired by the Fine and Decorative Arts, by Judy Belcher

PDF Download Polymer Clay Creative Traditions: Techniques and Projects Inspired by the Fine and Decorative Arts, by Judy Belcher

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From Booklist

Addressing novices to the medium of polymer clay as well as more advanced crafters in the field, Belcher prepares an attractive handbook on making clay items; the more than 30 projects suggested here are inspired by traditions in working in glass, metal, fiber, painting and drawing, stone and bone and wood, and ceramics, since, as the author states, "polymer clay is the only medium that can emulate all of those different art forms." Gorgeous color photographs highlighting her work and the work of many other successful crafters guide the reader through a mouthwatering, even surprising, display of clay things to make, from beads that take after ones made of glass, to an enameled pin that would be a lovely accent to a blouse or blazer, to replications of Georgia O'Keeffe-type flowers to decorate a purse. For crafters adding more crafts to their repertoire. Brad HooperCopyright © American Library Association. All rights reserved

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About the Author

Judy Belcher is the president and a founding member of he Kanawha Valley, West Virginia, Polymer Clay Guild and a member of the National Polymer Clay Guild. Her work in polymer clay has been featured in many juried exhibitions, and she has made many appearances to demonstrate her techniques in polymer clay, on television and at trade shows, stores, and schools. She lives in St. Albans, WV. Steve Payne is a commercial photographer known for his fine art landscape, nature, and portrait photography. He lives in Charleston, WV.

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Product details

Paperback: 144 pages

Publisher: Watson-Guptill (January 1, 2006)

Language: English

ISBN-10: 0823040658

ISBN-13: 978-0823040650

Product Dimensions:

8 x 0.4 x 10.5 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

49 customer reviews

Amazon Best Sellers Rank:

#608,092 in Books (See Top 100 in Books)

Polymer clay is gaining in popularity, and with that popularity comes a variety of books that cover much of the same territory. Judy Belcher's book takes a fresh approach. Judy investigates the many styles of other decorative art forms and applies the characteristics of those art forms to clay. The results are stunning, enlightening and invigorating. Batik, millefiori, lampwork, quilting, cloisonne...all these forms--and more--are applied to clay.While this book was not targeted towards the beginning clayer, it does have a variety of projects at many skill levels, enbabling all who read it to successfully complete the project and learn the technique.Judy's skill with clay, her eye for design, her love of the medium and her imaginative spirit all come through in this book. I'm still stunned with her attempt at imitating pointillism--paintings created by using tiny dots of color--using polymer clay.This book will definitely be getting a bit of wear and tear. I've read it twice from cover to cover, and I continue to go through it to learn more.

First--as noted with the low-star reviews, this book is not for beginners, and not for everyone. The book presumes a working knowledge of polymer clay techniques and doesn't try to fill that gap. Do not buy this as your first PC book. The book is also aimed at a very high-end audience, people who want to make fine craft. Most of the examples could easily win display space at the top craft shows, with $2000 booth fees. I recognize some of these slides from ads in Niche and Crafts Report and maybe even American Craft. Not your average street fair stuff.That said, this is NOT your average street fair stuff. If you've been hanging around the edges of PC, knowing that it had possibilities and wondering why it was you never really liked any of the work you saw, buy Belcher. If the Lark book about PC makes you breathe hard and you can't figure out how to make those items, buy this book.Two very revealing quotes: "The precise cuts and angles in this millefiori cane took days to construct." (Sandra McCaw) "Taking up to a month to build a single cane," (Sarah Nelson Shriver). OK. We're talking mastery here. PC holding its own with faceted stones and silver settings. PC that looks like adult jewelry and not just something I'd wear on Saturday morning. There's a lot in here I'm never going to make, but for the techniques I couldn't work out on my own and for the inspiration, it's the best.(But it still doesn't tell how McCaw builds her canes...)

Judy Belcher uses a large variety of the traditional techniques of art to propel her experimentation with polymer clay in new directions. For example, she looks at painting, sculpture, ceramics, and so on. Clearly a virtuoso, she shows us how a creative artist finds inspiration in artistic traditions. A project is included for each tradition, and she also shows us how she makes those incredible mosaic tiles shown in the bracelet on the cover. A great read for those who love art history, and really gets the creative juices flowing for a polymer clay artist.

Judy Belcher has written an inspirational and educational book that will appeal to novice and experienced polymer clay artists alike. The photography is used thoughtfully to illustrate the techniques and present gallery work. Belcher includes polymer clay pierces inspired by traditional work done in glass; metal;fiber;painting and drawing; stone, bone and wood and sculpture and ceramics. I would not want Belcher's book to be the only book about polymer clay in my library but it is an excellent reference when trying to achieve a particular effect for my work.

Really liked this book. Wish there were some more techniques shown but loved the multiple gallery's they showed to give you ideas of projects to make.

This book is great for both people new to clay and people that have worked with clay.There is so much clear information contained in this book. I highly recommend this bookfor anyone interested in clay art.

but i think i wanted more instructions on the techniques. In at least one case, the instructions provided created alot of extra work and expense, at least for me, which is why i gave the book only 4 stars. But overall a good idea for a book and nice effort, which will provide many with new techniques and ideas.

I met this author in Tamarak where she was selling her book and displaying pieces she had made. Her work is SO impressive, and the contributing artists are equally so. Several of my friends saw my book once I got it home and bought it immediately themselves! Her work is very detailed and original--a terrific resource as well as a beautiful book! You will NOT regret this purchase!

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Ebook New Hampshire Vs. Vermont: Sibling Rivalry Between the Twin States

Ebook New Hampshire Vs. Vermont: Sibling Rivalry Between the Twin States

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New Hampshire Vs. Vermont: Sibling Rivalry Between the Twin States

Ebook New Hampshire Vs. Vermont: Sibling Rivalry Between the Twin States

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In New Hampshire vs. Vermont, editor and writer Lisa Shaw has gathered together diverse viewpoints about the twin states, New Hampshire and Vermont. Not surprisingly, she and her writers conclude that, although they are both in New England and look much the same, they are much more different than they are similar. One of the best quotes about New Hampshire comes from Robert Frost, who called both states home: "She's one of the two best states in the Union. Vermont's the other. Also included are viewpoints of Governor Howard Dean, novelist Chris Bohjalian, poet Donald Hall, Shaw herself, historian Ralph Nading Hill and more. The book is broken into six chapters, ranging from praise of one state and then the other to a chapter called "The Gloves Come Off." No holds are barred in these essays. "An Uneasy Truce" is the final chapter. Aside from opinions and grudges, lots of facts are to be found in these essays. For example, one of the differences between the states is the way their legislators are compensated. Vermont's legislators earn $400/week for each week they're in session. New Hampshire lawmakers fare far less well; they receive mileage, plus two hundred dollars every other year. Many essays discuss just such priorities. This is Williams Hill Publishing's first book, although Lisa Shaw has authored many books, including a Vermont travel guide. The book is well-organized, factual and full of humor. Most of the salient points of both states are included, except for one big plus for New Hampshire - the ocean. The book would appeal most to those who love one state or the other or those contemplating a move to Northern New England. -- From Independent PublisherUnbeknownst to the rest of the nation, there has been a (mostly) friendly rivalry between New Hampshire and Vermont going back to Colonial days. In New Hampshire Vs. Vermont: Sibling Rivalry Between the Twin States, New England's top writers (Donald Hall, Ralph Nading Hill, Mike Barnicle, Judson Hale, Chris Bohjalian, Governor Howard Dean, Peter S. Jennison, Senator Judd Gregg, Barbara Radcliffe Rogers, Tom Durgin) explore this long-running feud with humor, insight, irascibility, and that legendary New England wit. Incidentally, the editor, Lisa Shaw, has lived in both New Hampshire and Vermont -- making her the perfect literary referee! -- Midwest Book Review

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Product details

Paperback: 107 pages

Publisher: Williams Hill Pub; 1st edition (January 1, 1997)

Language: English

ISBN-10: 0965250202

ISBN-13: 978-0965250207

Product Dimensions:

7 x 0.2 x 9.2 inches

Shipping Weight: 5.6 ounces

Average Customer Review:

4.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#471,917 in Books (See Top 100 in Books)

New Hampshire and Vermont are two small, lightly populated states stuck next to each other in northern New England. Little does anyone know that a major feud has been going on between them for years, a feud that won't end anytime soon. The feud is explored in this book by contributors from both sides of the fence.Vermont has its liberal political outlook and its statewide ban on highway billboards. New Hampshire, on the other hand, is very conservative and its first in the country Presidential primary makes it the center of the American political universe every four years. People in Vermont wear funny sandals and talk about world peace. New Hampshire residents sell liquor at toll booths and drive without seat belts. The one thing they agree on is their dislike of Mssachusetts.Every weekend the roads are full of European sedans in custom colors packed with casual clothing and the latest sporting equipment bearing Massachusetts plates. Every driver is in a major hurry to relax; woe to anyone who gets in front of them on the road. But, once they get outside of Massachusetts, they stop at every stone wall, covered bridge and quain country store so quickly that they activate their car's air bags. The other thing that people from Massachusetts do on weekends is shop at outlet malls. Seeing (or more accurately, hearing) several women all wearing noisy nylon jogging suits, and making a beeline for the nearest sale rack, is something to behold.Vermont looks like a postcard. New Hampshire's largest city, Manchester, has a main street that concludes in a dead end. People in Vermont go out to eat and listen to National Public Radio. The first thing one sees in New Hampshire is a toll booth where the attendant has trouble making change from a $5 bill, followed by a state liquor store.This book is hilarious and a little eye-opening for this native New Englander. It equally insults the people of both states, it's very easy to read, and is highly recommended.

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Product details

File Size: 35443 KB

Print Length: 14 pages

Publisher: Nickelodeon Publishing (July 31, 2018)

Publication Date: July 31, 2018

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07FCS7SM5

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Free PDF The Haight: Love, Rock, and Revolution

Free PDF The Haight: Love, Rock, and Revolution

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Covering one of the most unforgettable moments in modern history-and including images of Janis Joplin The Grateful Dead Bob Dylan Jimi Hendrix Timothy Leary Allen Ginsburg and more-The Haight is an indispensable gallery of legendary photographer Jim Marshalls Sixties-era San Francisco photography The counter-culture movement of the 1960s is one of the most endlessly examined moments of the twentieth century Widely regarded as the cradle of revolution San Franciscos Haight-Ashbury grew from a small neighborhood to a worldwide phenomenon-a concept that extends far beyond the boundaries of the intersection itself Jim Marshall visually chronicled this area as perhaps no one else did Renowned for his portraits of some of the greatest musicians of the era Marshall covered Haight-Ashbury with the same unique eye that allowed him to amass a staggering archive of music photography and Grammy recognition for his work In this one-of-a-kind book the full extent of Marshalls Haight-Ashbury photography is stunningly displayed Written by bestselling music journalist Joel Selvin the story behind each of these incomparable images is disclosed through a revealing narrative lending the images a fascinating context and prospective Bold and beautifully crafted The Haight offers fresh insight into the Summer of Love Haight-Ashbury and beyond

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Product details

Hardcover: 304 pages

Publisher: Insight Editions (October 14, 2014)

Language: English

ISBN-10: 1608873633

ISBN-13: 978-1608873630

Product Dimensions:

9.2 x 1.2 inches

Shipping Weight: 4.8 pounds (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

68 customer reviews

Amazon Best Sellers Rank:

#130,047 in Books (See Top 100 in Books)

My copy arrived this afternoon and I can't put it down. Rarely has a book captured the soul of a time as well as this one does.Every page is filled with words and images that allow anyone who was personally connected with The Haight to recapture those precious days. For those who never had a personal connection, this book is a goldmine of information that really allows you to understand the impact that that place and that time had on our society. Even today.Pretty much everyone knows that Jim Marshall was the greatest rock photographer in history. But what is clear from this 296 page monster is the fact that he was also a first-class historian who captured the shots that allow us to place context around the iconic photos we all cherish.Sure the photos of Jimi at Monterey, Janis, Dylan, The Beatles and the Dead (and TONS MORE) are all here. but for me the most interesting photos are those that show us the whole scene. The music. The atmosphere. Stanley Mouse. The tension between generations. Hippies. Straights. The brilliant Bill Graham. Race relations. Krishna devotion.Marshall's eye captured ALL OF IT. And it's all here. Hundreds and hundreds of photos.Some of my favorites...a photo of a note on a phone booth warning "don't say anything on this phone that you wouldn't say to a cop"....a picture of tourists in their cars driving through the Haight and looking both shocked and fascinated by what they see...and a shot of Jimi playing a free concert in the Panhandle in 1967. The look on Jimi's face as he squeezes a sound from his guitar is one for the ages (I WANT ONE!).To be honest, this book ought to be adopted by every college in the world that has a course on the 60s. Joel Selvin's text is deep, thoughtful, and laden with fascinating details that stay fixed in your brain as you go chapter to chapter neatly marrying the photos into the history lesson you've just absorbed.The Marshall Estate has totally aced this book. Kudos to everyone who made this happen..

I was lucky enough to be in college in Palo Alto, just down from The City, from the late '60s to the early '70s. I was (and still am) a rabid music fan. I spent many an afternoon in the Haight and in the Panhandle area at free happenings and concerts. I was there for the free outdoor concerts by The Dead, Jefferson Airplane, and many, many other local bands. A couple of music-loving friends and I saw riveting performances by Janis Joplin with Big Brother (very loud), the original Santana Blues Band, and all the other fine bands from both the area and from outside California at the Fillmore and Avalon ballrooms. I was there for the People's Park fiasco, the free speech gatherings, and all the rest. I saw the tour buses that rolled through the Haight area to see the hippies and watched as street people held up pieces of mirror to reflect back on the "straights". And I was there for the "death of hippie" walk too. I was very lucky to have pretty much seen and heard and absorbed it all.This fine book is one of the best I've seen that gives a feeling of actual involvement, of "being there", being a part of it all instead of just another photographer taking pictures of the "weirdos with long hair and funny clothes". These photos take me back to those streets and those times when everything was in flux, anything could (and usually did) happen, and anything seemed possible.For those others like myself who were there, this collection of photographs will awaken memories from those days. For those who weren't around or couldn't be there to experience it all in person, this book will give you insight into an unrepeatable period when everything seemed new and exciting, and slightly twisted. That era wasn't just about the "name" bands, the wild thrift shop clothing, or the bra-less girls, the "love" beads and incense. It was about real people looking for something different--some made it and some didn't. There are a lot of faces in these pictures that go to the heart of that period and locale. That's the real story. And this great book takes you there.

Marvelous book. Selvin showcases his fabulous shots of the Haight from its early years in the early/mid-sixties, its explosion in '67, and the downfall that inevitably came. Black & white as well as colored pictures; shots of hippies, head & psychedelic shops, great musicians, and the bewildered residents of the Haight who's world changed forever at the hippy invasion. Commentaries from musicians like the members of Jefferson Airplane, Donovan, and others.

* This "coffee table" sized book is a great history lesson on the Haight, and all the cultural intrigues that captivated and inspired the youth of our nation during it's reign.* Marshall's photo documentation of the era is often fascinating if not stunning.* The accompanying narrative history is a wonderful compliment to the photography.* I think for less than $40 it is... A BARGAIN.

I really like this book. It is a beautiful big, thick, very substantial coffee table book. I spent the day looking at the photos. There were many of Janis Joplin that I had not seen before. I hadn't seen any of these photos before, which was nice. Enjoyable book that you will want to have.

Stunning. I had the opportunity to work with Jim Marshall and publish many of his photographs when I was the Directorof Photography at Rolling Stone in the 70s. A wild, unpredictable and immensely talented photographer, he always capturedthe decisive moment during those wonderful and zany days of the Haight in all its glory. I had such a good timetraveling down memory lane with this book. Jim was a "One Of A Kind" artist.

Excellent book! My daughter loved it and I bought a second copy for myself. Well written and great photos. Likely the best book out there about that crazy time and place...

Great look and stories of the wonderful music era of the sixties and seventies.Glad to see that someone took the effort to publish this wonderful archive.

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